Friday, April 10, 2009

Baudin and the Bees (4)

Napoleon Bonaparte was a man of the enlightenment – he may have paid lip service to democracy BUT as well as overhauling the financial system and creating the Bank of France, the introduction of his Code Civil de Francais in 1804 replaced a mish mash of Roman, Customary and Canon laws which applied across France and brought about a major change in the legal status of individuals. As the Encyclopedia Britannica says, “Under the code all citizens are equal: primogeniture, hereditary nobility, and class privileges are extinguished; civilian institutions are emancipated from ecclesiastical control; freedom of person, freedom of contract, and inviolability of private property are fundamental principles.” and, “…it has been the main influence in the 19th-century civil codes of most countries of continental Europe and Latin America [1]

He also began a program of public works and sowed the seeds for universal education with the implementation of the Lycée system in 1801.

Napoleon was a man of science and encouraged the development of studies in all areas of the sciences. He even developed a mathematical theorem about equilateral triangles which is known as Napoleon’s Theorem. His expedition to Egypt in 1798 included 300 men of science and letters and resulted in the publication of the scientific treatise known as Description de L'Égypte. In his enthusiasm and thirst for knowledge he overburdened Baudin’s two small ships with 20 savants – scientists and artists - many of whom jumped ship in Ile de France wrongly blaming Baudin for their exodus.[2]

Although some critics of Napoleon write off this period as a time of waste, death and destruction and the beginning of the end for France as an international force[3] there is no doubt that his rule marked a turning point for Europe and many parts of the globe including Australasia. And, lest we forget, it was France under Napoleon who set about establishing the first Musee de L’Homme (museum of man) and gave Baudin specific instructions regarding the collection of ethnographic material during his voyage.

Napoleon’s first wife, Joséphine de Beauharnais formerly of Martinique was a gifted amateur naturalist who, perhaps because she had grown up amongst exotic species, being fascinated by the newly discovered species from Australasia, began establishing them along with every other variety of plant that she could obtain at her chateau Malmaison which was on the outskirts of Paris.

Although many plants were sourced from the Labillardiere collection and despite ongoing war with England, Josephine was able to procure a steady supply of plant material from her English contacts. On his appointment as head gardener at Malmaison Delahaye would probably also have contributed specimens from his own extensive collection[4]

Not content with growing these plants for her own amusement Josephine wanted to spread them all over France. Jill Duchess of Hamilton quotes her as saying, ‘…I wish that Malmaison may soon become the source of riches for all the départements…I have planted…trees and shrubs from Australia[5]. It was her intention to create botanical gardens all over France along the lines of her gardens in Malmaison.[6] To promote her ideas Josephine commissioned a book about these exotic plants with illustrations provided by the best and most expensive botanical illustrator of the time Pierre-Joseph Redoute.

Almost 30% of the images in this publication portrayed Australian flora. While not devaluing the line drawings in Labillardiere’s book or Redoute’s earlier prints it should be noted that the images in Jardin de la Malmaison are probably the first published artistic impressions of these plants. Executed originally as brilliantly coloured paintings they were subsequently produced as prints, engraved under Redoute’s direction, by François Noël Sellier using a method called stipple engraving which, for the first time allowed for the subtle tones of the paintings to be reproduced by the printer. It would be a long time before the unusual forms of the Australian flora made another appearance in the art of France.

Little is known of the fate of the plants at Malmaison after Josephine’s death but the extensive parks and gardens were eventually subdivided and sold off. I have been told that Acacia continues to grow easily in the forests around the area that was Malmaison and it is reported that escaped kangaroos from Josephine’s garden have now become a problem in that area.

The dearth of information about these plants and those at the Jardin de Plantes and of Joséphine’s plans to distribute plants to every Département in France could be taken to indicate that their novelty value disappeared along with the Empress. However, one can say with certainty that the acacia which, along with the rose, was so favoured by Joséphine did have a major impact on French culture. Both it and the Eucalypt were to become important in the perfume industry and as an essential oil respectively. They were to reappear in the designs of La Belle Epoque through to Art Nouveau.

Josephine’s fascination with new and exotic plant species was to have unforseen consequences for the local environment. As we are now discovering, all plants naturally exist in surroundings which control their existence in balance with other local species. Once removed from this situation to another environment their future becomes unpredictable.

Known to the French as Mimosa, the delicate phyllodes and fragrant perfume of the Acacia was to become even more popular than it was with the English. It became an essential part of the perfume industry and was widely planted in the south along the Riviera.

The first mimosa to be planted in the south of France was Acacia farnesiana, which is a native of Central America. It reached the Alpes-Maritimes in the 18th century but, although this type of Mimosa is especially suited for perfumes, it is not frost hardy and was replaced by the Australian species Acacia dealbata (70%), Acacia retinoides (20%), hybrides (8%) and Acacia podalyriifolia (2%).[1] Having found a suitable environment, the mimosa extended throughout the Massif des Maures and progressively replaced the local vegetation: cork oaks, l`arbousier and the heather.

One might draw similar comparisons with the transplanting of European culture to the environs of the Pacific or other non-European countries. If one disregards the politics behind the European expansion of the eighteenth and nineteenth centuries and considers the environmental impact of the process of cultural transportation one is left with a great sadness for the loss of biological diversity. Not only the loss of plant and animal species but also that of human cultural diversity.

Baudin’s previously noted comments to Governor King regarding the ‘…transporting on a soil where the crimes and diseases of Europeans were unknown all that could retard the progress of civilisation…’ show an understanding that, no matter where one stands on issues such as the “Black Wars”, can only be seen as prophetic. Not only has the aboriginal population been decimated but much of our flora and fauna have likewise been depleted.
Today boulevards along the Cote d’Azure are planted with acacia comprising up to 20 different Australian species, including hybrids[1]and the “The Mimosa Trail” has become an important part of the local tourist calendar in a manner not dissimilar to the way we reclaim the past and our transported aliens in the name of tourism.

Bibliography

Banks, Joseph Banks' florilegium, Alecto Historical Editions, Shoeburyness UK, 1980 - 1990

Baudin Nicolas personal letter to Governor King, Historical Records of N.S.W. Vol 5, 1803-05

Beaglehole J C, The Endeavour Journal of Joseph Banks 1768-1771, Vol II Angus and Robertson Ltd, Sydney, 1963.

Brown Anthony J, Ill-starred Captains: Flinders and Baudin, Crawford House publishing, Adelaide, 2000

Duyker E. A French Garden in Tasmania in Pacific Journeys, Cropp et al Eds., Victoria University Press, Wellington 2005

Duyker E, Citizen Labillardière: A Naturalist's Life in Revolution and Exploration, Miegunyah Press, Carlton, 2003

Fornasiero, Jean. Monteath, Peter. West-Sooby, Jean (eds), Encountering Terra Australis, Wakefield Press, Kent Town, South Australia. 2004

Hamilton Jill, Duchess of, Napoleon, The Empress and the Artist, Kangaroo Press, N.S.W. 1999

Kent, HRH Princess Michael of, Josephine’s Garden, www.princessmichael.com/articles/19_1.html

Murray Robert, Sydney ’s Brush with Bonaparte, Quadrant, Volume XLVIII Number 1 - January-February 2004

Ryan. T. Le Presidente des Terres Australes in The Journal of Pacific History, Vol 37 No. 2, 2002

Stephens Ann (ed), Visions of a Republic: The Work of Lucien Henry, Powerhouse Publishing, Sydney 2001

Walker James R Early Tasmania: the Walker Memorial Volume, Tasmania Government Printer, 1950

Wolf-Achim Dr. Roland, Acacia World, www.acacia-world.net/index.html

Wikipedia Napoleon ! of France ref The Claremont Institute: The Little Tyrant, A review of Napoleon: A Penguin Life, by Paul Johnson.

Wikisource contributors, The Encyclopædia Britannica Eleventh Edition (1910–1911), Wikisource, The Free Library. 8 November 2006

Britannica 2001 Standard Edition CD-ROM, 1994-2000. Britannica.com Inc


[1] Australian Acacias in Europe, Lecture by Wolf-Achim Roland http://www.acacia-world.net/html/lecture_melbourne.html 230606



[1]Napoleonic Code, Britannica 2001 Standard Edition CD-ROM, 1994-2000. Britannica.com Inc. 120307

[2] Anthony J Brown, Ill-starred Captains: Flinders and Baudin, op cit. p26 Burdened with twenty two more officers, midshipmen and scientists than requested, many through patronage and many of whom were unsuited to a long sea voyage Baudin was to find this a much more troublesome voyage than his previous missions. Like his second in command Emmanuel Hamelin the captain of his sister ship the Naturaliste Baudin had earned his promotion under the Republic and several of his officers and a number of the scientific staff were to show little respect for a self made man and a self taught naturalist; despite his obvious talent proven though his previous exploits during the war with England and as a leader of botanising missions. Difficulties provisioning in Tenerife and Mauritius led to a number of these disaffected people, including the appointed artists, deserting in Mauritius and, to protect themselves from reprisals, these people began to spread rumours about Baudin’s incompetence.

[4] Duyker E op cit p32

[5] Jill, Duchess of Hamilton, Napoleon, The Empress and the Artist, Kangaroo Press, N.S.W. 1999

[6] HRH Princess Michael of Kent, http://www.princessmichael.com/articles/19_1.html 180307

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